Verona, Wisconsin, May 13, 2016. Yesterday I delivered this sweater to another physician who has been at my side for nearly seven years. The design is Alice Starmore's "Irish Moss" from Aran Knitting (newer edition here; available as a kit here). This is one of my favorite designs.
I logged my time on this one; it took 154 hours to knit.
The amazing buttons are carved from reclaimed walrus (I think; could be some other arctic beast) tusks. My Toronto Cousin bought the buttons for me during her trip to Alaska. Score!! Here's a closer look at the buttons:
Suburban Chicago, 1971. I photograph my "finished objects." The arrangement does not feature the first sweater I knitted; I must have given it away by the time I took this photo. The second sweater does appear here: it's the one with the hanger.
Gigi rests on a shawl I crocheted. I'll write more about that later.
Shetland knitwear designers Kate
Davies features a post about SWANTS, or "sweater-pants."
Artist Stephen
West bought an old Norwegian sweater—a Setesdal—at
an Amsterdam thrift shop. He then steeked the vintage garment into a pair of
pants. Yes, the first thing I see is the codpiece, which looks like it came
from a central motif on the sweater's back. Here's
a man wearing a knitted jumpsuit. The creator
called it an "Aran catsuit."
Mr. Irene has never worn knitted pants—and he'd never wear a knitted onsie. But he has humored me by wearing some brightly colored sweaters:
Madison,
Wisconsin, November 17, 1991. Mr. Irene and I attend a post-performance party
hosted by our folk dance group, Žaibas.
I wear Vogue Knitting's 1991
Map of the World sweater. Note that I altered the pattern by knitting
the Soviet Union in red, not pink, and adding Lithuanian as an independent
country. I also knit the sweater in Merino Wool (Baruffa's "Maratona"),
not in cotton. Mr. Irene wears a cotton (Tahki's "Cotton Classic"),
sport-weight Aran based on a sweater, knit in the same salmon color, in this
issue of Filatura di Crosa.
Hand
knitting peaked somewhat in the early- to mid-1990s (I worked in a yarn shop as a
sales girl between 1991 and 1992, so my view may be skewed). The garments were complicated and
challenging, and designers like Missoni
and Fendi regularly created new patterns. I think if today you want to knit
something in that same league, you should turn to some Japanese
patterns. Many of the American knitting magazines now target beginner, or "quick," projects. Fortunately,
one of the best designers from the earlier era—Alice Starmore and her daughter,
Jade Starmore—still create stunning
designs.
Glacier National Park, Montana, July 1973. Mom and I pause during a short hike. I can tell it's a short hike because Mom is carrying a pocketbook instead of a knapsack. I am wearing that favorite, aran sweater.
By the time I finished knitting my first sweater, I was ready to tackle a more complicated project. My Mom bought a nice worsted-weight wool for me in a soft, pink color. I recall that we selected the yarn at Marshall Field's on Lake Street, in Oak Park. Back then, Field's featured a modest yarn department in an annex on the store's fourth floor. The yarn department at Field's stood near the Girl Scout section of the store. I so wanted to be a Girl Scout so that I could wear the spiffy uniforms on display at Field's. But I'll save that story for another post.
The pink color we selected for my second sweater was not an abrasive tone; it was a shade that I still would wear today. Color wasn't the difficult issue for me; selection of a pattern was the tough decision. I wanted to knit something more challenging, but Mom didn't want me to be discouraged by a pattern that was too advanced.
We narrowed down my choices by reviewing the pattern books Mom had accumulated. Mom subscribed to two knitting magazines: Stitchcraft, a British publication to which my friend Kris and I fondly referred as "Witchcraft," and Vogue Knitting. Mom and I found a "beginner Aran" in one of the Stitchcraft issues. I worked on the sweater for about six months.
After I completed it, I wore that pink Aran for many years.
Suburban Chicago, June 1969. The issue of Stitchcraft is on my lap as I work on the pink Aran.
* * * * *
Suburban Chicago, December 1969. I model the Aran. Do you like my necklace? It's a peace sign.
When we visited the Lake of Bays in Ontario, Canada, my Toronto Cousin and her friend joined us for part of the stay in the cabin.
Although my Mom had taught me to knit, my Toronto Cousin inspired me to undertake my first Aran knitting project. When she finished knitting an elegant, zippered Aran cardigan for her boyfriend (now her husband), I decided I could do an Aran sweater, too.
I still have the Bernat Aran pattern book from which my Toronto Cousin knit that zippered sweater.
Lake of Bays, Ontario, Canada, July 1969. I compare knitting notes with my Toronto Cousin. We're leaning against the knotty pine wall of the rental cabin.