Polkas, Broadway show tunes, and movie themes made up the early curriculum. Within a few years, Mr. Irene began studying the challenging music of accordion virtuoso performer and educator, Charles Magnante.
In 1939 Magnante and his trio played in Carnegie Hall. With a single event, Magnante changed the image of the piano accordion from a folk instrument to a versatile and expressive voice for jazz and classical music. The Magnante Trio soon found new audiences and venues for their work. Magnante dominated the accordion music world with his engaging live performances, musical arrangements, recordings, and original compositions from the 1940s through the early 1960s.
By the end of his music lessons, Mr. Irene had taken up Lithuanian folk melodies using a guide book he discovered in a Lithuanian gift shop in Marquette Park.
Suburban Chicago, 1965. Sheet music cover for the accordion solo arrangement of Hello Dolly.
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Suburban Chicago, 1969. Sheet music cover for the Magnante composition, Accordion Boogie.
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Suburban Chicago, 1971. Inside cover page of a
Lithuanian-language, accordion method book, The
Youngest Accordionist, written by the musician and arranger Povilas Četkauskas.
The Chicago-based, Lithuanian-American, Karvelis Press published it. The book
featured Lithuanian folk songs and dances as well as solo transcriptions of
well known classical piano and opera melodies.
2 comments:
Eileen Brennan and Charles Nelson Reilly (all three of him) got their start in "Hello, Dolly!"?
I thought that was interesting, too.
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